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possibly by the workshop of Thomas Tufft, carving possibly by John Pollard, Philadelphia, Pennsylvania, circa 1775, retaining early dark surfaces, foliate carved crest rail and ears, gothic pierced splats, small drops to front seat rails, foliate carved knees, claw and ball feet, slip seats with foliate motif brocade upholstery, chairs marked I, II, III, and III, 38-1/4 x 24-1/2 x 22 in., seat heights 18-3/4 in.
Provenance: Joe Kindig Antiques, York, Pennsylvania; Sotheby's New York, NY, "The Kindig Collection: Important American Furniture, Paintings, Silver & Decorative Arts", January 21, 2023, lot 464, $23,940; The Delany Collection of American Furniture and Decorative Arts
Literature: Joe Kindig Jr., Magazine Antiques, 26 (July 1934); Joseph Kindig III, The Philadelphia Chair, 1685-1785, fig. 52
Per Sotheby's 2023 catalog: This set of four side chairs displays a variation on the interlaced Gothic splat, in which paired C-scrolls ending in small volutes flank the central pointed arch. Multiple sets of extant Philadelphia chairs with this splat type indicate this form was popular in Colonial Philadelphia and made with straight seat rails, serpentine seat rails, over-upholstered seat rails, and the paired C-scrolls seen here.
The sculptural carving found on the crest and knees of these chairs can be attributed to John Pollard (1740-1787), the Philadelphia carver, since they relate directly to other examples of his work. Nearly identical crest rail motifs are displayed on a set of chairs with a history in the Deshler family of Philadelphia.That set of chairs stems from a larger suite of furniture including a pair of card tables and an easy chair likely commissioned by Esther Deshler Morton (c. 1744-1791) and John Morton (1739-1828) on the occasion of their marriage in 1769.2 The chairs and tables in the group are believed to have been made by Thomas Tufft (1740-1788) when he was in partnership with James Gillingham (1736-1781). The tables and chairs share similarities with furniture bearing Tufft's label such as the shaping of the front rails and the arc of the knees returns connecting the rails and cabriole legs.3 These four side chairs display these distinctive details and possibly stem from the Tufft shop.
Very similar knee carving is known on a set of chairs made for Charles Thomson with carving attributed to Pollard.4 Other side chairs from related sets also with carving attributed to Pollard include two offered in this sale with over-upholstered seats and two others with a history in the Wistar family sold at Christie’s, "Property from the Collection of Mrs. J. Insley Blair", January 21, 2006, sale 1618, lot 535.
One chair from the Deshler set is illustrated in Israel Sack Inc., American Antiques from Israel Sack Collection, Volume VI (1979), P3920, p. 48. Four side chairs from the set are in the collection of the Philadelphia Museum of Art and illustrated in Alexandra Alevizatos Kirtley, American Furniture, 1650-1840: Highlights from the Philadelphia Museum of Art (2020): nos. 79-82, p. 114.
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Joe Kindig Antiques, York, Pennsylvania; Sotheby's New York, NY, "The Kindig Collection: Important American Furniture, Paintings, Silver & Decorative Arts", January 21, 2023, lot 464, $23,940; The Delany Collection of American Furniture and Decorative Arts