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|---|---|
| $0 | $25 |
| $100 | $50 |
| $1,000 | $100 |
| $2,000 | $200 |
| $3,000 | $250 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,000 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
early 19th century, 8 day brass movement, second sweep and date aperture, paint decorated dial, moonphase painted with naval and village scenes, signed "Jacob Craft / Shepherdstown", waisted case with figured frieze and bookmatched base, yellow pine and poplar secondaries, two weights and pendulum included, interior with typed note with brief historical information on the clock (see photos), 89-3/4 x 22-1/4 x 11-1/4 in.
Provenance: The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia
Note: Jacob Craft was a German immigrant who settled in Shepherdstown as early as 1787 and practiced clockmaking until sometime before his death in 1825. Moon dial reverse marked "Wilson Birm," for James Wilson of Birmingham, England, a leading manufacturer of painted dials and dial components (including moon wheels) supplied to the trade from the 1770s until his death in 1809. The false plate behind the dial is inscribed "Nolen & Curtis Boston," for Spencer Nolen and Samuel Curtis, Boston dial painters active in two partnerships in the early 19th century who decorated and assembled dials for clockmakers across the region. Sourcing dial components and decoration from outside specialists was standard practice for the period, with the clockmaker's name on the dial typically denoting the retailer or assembler rather than the maker of every part. A documented Jacob Craft clock with a Wilson marked false plate is documented by Historic Shepherdstown.
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The Collection of Joe Matthews and John Shank, Shepherdstown, West Virginia