comprising: This Have I Done: Samplers and Embroideries from Charleston and the Lowcountry by Jan Hiester and Kathleen Staples, South Carolina: The Charleston Museum/Curious Works Press, 2001; North Carolina Furniture 1700-1900 edited by Robert E. Winters, Jr., North Carolina: North Carolina Museum of History Associates, Inc., 1977; In the Neatest Manner: The Making of the Virginia Sampler Tradition by Kimberly Smith Ivey, Virginia/Texas: The Colonial Williamsburg Foundation/Curious Works Press, 1997; Tennessee Silversmiths by Benjamin Hubbard Caldwell, Jr., North Carolina: The Museum of Early Southern Decorative Arts, 1988; Kentucky Furniture, Louisville, Kentucky: J.B. Speed Art Museum, 1974; Furniture of the Georgia Piedmont before 1830 by Henry D. Green, Georgia: The Conger Printing & Publishing Co./The High Museum of Art, 1976; Neat Pieces: The Plain-Style Furniture of 19th Century Georgia, Georgia: Atlanta Historical Society, Inc., 1983; Tennessee Historical Quarterly Volume LXII Spring 2003 Number 1, Tennessee: Tennessee Historical Society, 2003; Rockbridge County Artists & Artisans by Barbara Crawford and Royster Lyle, Jr., Virginia: University Press of Virginia, 1995; Furniture of Williamsburg and Eastern Virginia: 1710-1790 by Wallace B. Gusler, Virginia: Virginia Museum, Richmond, 1979, signed and inscribed on title page by Wallace B. Gusler

Provenance: Private Collection

wear to extremities consistent with age and use, North Carolina Furniture and Furniture of the Georgia Piedmont with tears to binding, Furniture of Williamsburg and Eastern Virginia with torn dust cover