Brunk Auctions
Live Auction

Form & Vision: Modern Art • Design | October 22, 2026

Thu, Oct 22, 2026 10:00AM EDT
  2026-10-22 10:00:00 2026-10-22 10:00:00 America/New_York Brunk Auctions Brunk Auctions : Form & Vision: Modern Art • Design | October 22, 2026 https://live.brunkauctions.com/auctions/brunk/form-vision-modern-art-design-october-22-2026-22898
Featuring works of fine art and sculpture by Andy Warhol, Edward, "Ed" Clark, Robert Motherwell, Estevan Vicente, Wolf Kahn, Ryu Kyung-chai, Pablo Picasso, Jack Levine, Hoss Haley, William Elcheran, Chuck Close; space-inspired works by Lamar Dodd, Gordon Onslow-Ford, Mary Lee and Louisiana Bendolph, Lonnie Holley and Michael Banks; Self Taught by Jimmy Lee Sudduth, Beverly Buchanan; Mose Tolliver, Howard Finster; Design and Midcentury Modern by Wormley, Eames, Stender, and Moser; objects by Ed Moulthrop, Brother Thomas, Piero Fornasetti and Tappio Wirkkala, and much more.
Brunk Auctions support@brunkauctions.com
Lot 1069

George Grosz

Estimate: $15,000 - $25,000
Starting Bid
$7,500

Bid Increments

Price Bid Increment
$0 $25
$100 $50
$1,000 $100
$2,000 $200
$3,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
$100,000 $10,000

(American/German, 1893-1959)

The Cop & The Anthem, circa 1933-1934, original illustration for the plate facing page 169 in The Voice of the City and Other Stories, signed lower right in black ink "Grosz", inscribed verso "36/1901", "235", "88P", watercolor, reed pen and pen and ink on P.M. Fabriano wove paper with watermark, 25-1/4 x 18-7/8 in.; gilt wood frame, 30-1/4 x 23-3/4 x 1-3/8 in.

Provenance: The studio of the artist, Bayside, Long Island, New York, 1934; Private Collection

Note: It was in 1934 that George Macy, publisher of the Limited Edition Club in New York, gave Grosz the assignment to illustrate O. Henry's selected short stories, published a year later under the title "The Voice of the City and Other Stories".

A homeless person in Madison Square Garden, sitting on a bench. His name is Soapy. It is winter time. This is, how O. Henry's story begins. „Soapy's mind became cognizant of the fact that time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigor(...). Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company...".

So Soapy thought of an easy way accomplishing his desire. He cheated a meal at a restaurant without paying. However, they let him go. In a cigar store, Soapy stole a silk umbrella from a customer, and when the owner claimed,My umbrella", Soapy sneered „Why don't you call a cop?". New York would not be New York without a policeman literally at every corner. However, when the policeman came, the umbrella man retreated by admitting, that he picked it up this morning in a restaurant and said if you recognize it as yours..." Moving back to his park bench at Madison Square, Soapy came to a standstill, as sweet music of the coming Sabbath anthem, coming out of an old church, transfixed him. He would change his life, find work, no more evil deeds, he would, he would....,,Soapy felt a hand laid on his arm. He looked quickly around into the broad face of a policeman. „What are you doin' here?" asked the officer, „Nothin'," said Soapy. „Then come along," said the policeman. „Three months on the Island,", said the Magistrate in the Police Court the next morning."

Grosz shows the moment Soapy is spellbound by the anthem, and a policeman approaching him. This watercolor, like the other watercolors and drawings Grosz did for O. Henry, shows, how thrilled the artist got by O. Henry's storytelling, and how brilliantly he executed them, opening an illustrative world of its own to the text.

It is remarkable, that Grosz started the work without any preliminary drawing, using only watercolor, working the watercolor wet into wet, with only few lines of reed pen and pen and ink for some contour and details.

-Robert Jentsch

Brunk Auctions would like to thank Ralph Jentsch for confirming the authenticity of this watercolor. It will be included in his forthcoming raisonne of the artist's works.

Available payment options

  • Visa
  • Mastercard
  • Amex
  • Diners
  • Discover
  • JCB
  • Union Pay

Purchased items will be available for pick up or shipping from our Asheville, North Carolina auction facility within ten business days of the auction, or will be assessed a storage fee of $5.00 per day, per item. Purchaser agrees that packing and shipping is done at the purchaser's risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be packed by an agent such as a packaging store or Brunk Auctions. Please allow two weeks for shipping after payment is received. Shipment of large items is the responsibility of the purchaser. We are happy to provide names of carriers and shippers if a purchaser so requests. Brunk Auctions will have no liability for any loss or damage to shipped items.

The studio of the artist, Bayside, Long Island, New York, 1934; Private Collection

loose, inscriptions front margins and verso possibly editorial, waviness, some losses to corners, pinholes at top middle, tack holes at corners, some light toning, verso with paper tape and discolored remnants of brittle mounting adhesive; frame with abrasions and some loss at edge Note - Brunk Auctions makes every effort to offer accurate and thorough information, but encourages prospective bidders to inspect items in person whenever possible. Condition statements are provided as a courtesy for general guidance and should not be considered complete or definitive. They do not represent a warranty or assumption of liability by Brunk Auctions. Certain condition issues may not be specifically noted in the report but may be visible in the accompanying photographs, which are considered part of the overall condition report. Please refer to our Terms of Sale for complete information and contact us for additional photos or information as needed.